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(I'm pleased to tell you that the team completed all the character reference sheets and sent them to Sheila. She'll be making high-quality Giclee prints for Kickstarter backers. The early onset of fire season in Colorado due to the Western drought has slowed progress, since one of our artists is also a firefighter there. The recent Heartbleed Internet scare also cost us another two weeks of lost time, but we are back on track now.)
Once we designed the Named and UnNamed cats, we turned to their threehorn "deer" and dappleback horses. I had based my original dappleback conception on paintings of Eohippus, however Eo was far too ancent (Eocene), and far too tiny. Not only that, but Eo is no longer considered a horse, having been recently re-classified as a paleothere.
Once we designed the Named and UnNamed cats, we turned to their threehorn "deer" and dappleback horses. I had based my original dappleback conception on paintings of Eohippus, however Eo was far too ancent (Eocene), and far too tiny. Not only that, but Eo is no longer considered a horse, having been recently re-classified as a paleothere.
When I wrote Ratha's Courage, I based the dappleback horse on the pony-sized Parahippus of the Miocene, which fit better with the Named cats, who are a bit larger than cheetahs.
Artist Lew Lashmit based his lovely concept painting on later horses Miohippus and Merychippus, adding primitive and bay horse coloring, deer-like dappling, and a horse-y tail.
Mio and Mery were more Oligocene than Miocene, and the size of a Shetland pony, which was too small. I suggested Parahippus, and put up some images of its skeleton and two artists' reconstructions; one chunky and one slender (which i preferred). I suggested that it would be easy to modify his painting of Mio/Mery, into Para.
Parahippus leonensis fossil skeleton mount photo from Wikipedia
A robust (chunky) interpretation of Parahippus, possibly by Zdenek Burian (1950's?). Image
from Wikipedia
A gracile (slender) interpretation of Parahippus. Jay Matternes from his 1964 Smithsonian mural. Photo: Wikipedia
I liked the gracile version better, probably because I drew long-legged slender unicorns when I was younger.
Parahippus leonensis fossil skeleton mount photo from Wikipedia
A robust (chunky) interpretation of Parahippus, possibly by Zdenek Burian (1950's?). Image
from Wikipedia
A gracile (slender) interpretation of Parahippus. Jay Matternes from his 1964 Smithsonian mural. Photo: Wikipedia
I liked the gracile version better, probably because I drew long-legged slender unicorns when I was younger.
Tod Wills then did a quicky sketch of the dappleback based on Lew's concept and our suggestions.
He also mixed gracile and robust features in his drawing. Dani Long did her version of the dappleback based on his, including three striking color variations.
She also included a uncolored dappleback image to Tod so he could play with it.
He also mixed gracile and robust features in his drawing. Dani Long did her version of the dappleback based on his, including three striking color variations.
She also included a uncolored dappleback image to Tod so he could play with it.
Dani also pointed out that some Parahippus visual references were actually mislabeled images of the slender forest browsing Kalobatippus. She did a turnaround of her Parahippus, which she sent to Tod for coloring. He then worked his watercolor magic,
and we had the critter!
Next: Thrashing Threehorns
and we had the critter!
Next: Thrashing Threehorns
Paxton Smith on women's reproductive rights (6/21)
Smith’s valedictory address: As we leave high school we need to make our voices heard. I was going to get up here and talk to you about TV and content and media because those are things that are very important to me. However, in light of recent events, it feels wrong to talk about anything but what is currently affecting me and millions of other women in this state. Recently the heartbeat bill was passed in Texas. Starting in September, there will be a ban on abortions that take place after 6 weeks of pregnancy, regardless of whether the pregnancy was a result of rape or incest. 6 weeks. Most women don’t even realize they’re pregnant by then. And so, before they have the time to decide if they are emotionally, physically, and financially stable enough to carry out a full-term pregnancy, before they have the chance to decide if they can take on the responsibility of bringing another human into the world, the decision has been made for them by a stranger. A decision that
How Ratha's Island Originated
Beginning on March 14, 2009, a new experiment in Y/A fantasy fiction appeared on Twitter. “Ratha's Island”, a novelette designed specifically for the micro-blogging service's 140 character format, ran twice daily in blocks of 6-10 sequential “tweets” or short posts (Twitter's logo is a little bluebird, so it's messages are called “tweets”). Twitter's designers imposed the 140 character limit to enable cellphones and other wireless devices to receive the messages.) Ratha's Island ran faithfully every day, with the exception of a one-weekend break, and drew over 1000 followers to my @rathacat Twitter stream. Ratha Attacking the Condor-Eagle, art and photo 2009 by Clare Bell The main intent was to entertain people on Twitter, get them interested in the Ratha series, publicize the the new short story, "Bonechewer's Legacy" in Firebirds Soaring anthology, edited by Sharyn November, and to celebrate the newest novel, Ratha's Courage, published by Sheila Ruth of Imaginator
Ratha's Island (#4)
8/16/09 From close above Ratha came a terrific crack. She wondered dimly if a chunk of the cliff had come loose and would fall on her. Something or someone hit Ratha, knocking her sideways, spinning her. It grabbed her hindquarters, making a sling around her lower belly, halting her descent. Jaws grabbed her nape, pulling her up and away from the frothing, steaming sea. She heard flapping, hard and heavy. A second set of wing-beats joined the first; slower, but stronger. Another set of jaws tried to take Click from her, but her own teeth were clenched on the cub and wouldn't loosen. The pull ceased. Ratha then felt a gentle tongue licking her forehead. A trilling purr sounded in her ear. The scent around Ratha, although dulled by smoke and her own draining awareness, was exotic, but cat-like, and female. A slight tinge of milkiness in the odor told her that her rescuer was a nursing mother. No, not just any nursing female of this flying creature's species. Click's
Ratha's Island (#3)
The water and rock blobs warmed steadily until the water boiled and heat shimmer rose from them. Had one of those rocks...moved? Her fur prickled. She stared at another. Yes, they were moving. Very slowly. Not rolling. Oozing forward like huge slugs. A hot wind made Ratha's eyes water and drifting steam stung her nose. Every hair bristling, Ratha retreated, showing her teeth. This was too much. Extra-legged animals and oozing red-cored rocks. She spun around, heading downslope, seeking a place to hide. She was overwhelmed, drowning in strangeness. She had to get away or go mad... 4/13/09 Ratha scrambled over a hillock entwined with roots, spied an opening, thrust her foot in. At last, a cave! She peered in to check for cave inhabitants or other threats. Everything was clear. She dived into the refuge, crawled into the damp darkness and curled up, burying her tail in her nose. Soon her breathing slowed and she fell asleep. Ratha woke, slowly, drowsily. She felt a furry body
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Comments4
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I like to see how the process goes. It's really neat. Also love how the dapplebacks turned out.